Fashion Week fever didn’t end in Europe, the train chugged along to other vibrantly enhanced territories and this time the destination is Tokyo, Japan.
Stephen Burrows has had the kind of career that necessitates a momentous and nostalgic case study. How does one remain so firmly grounded in an industry that is dictated by lovely chaos and constant restlessness?
Motherhood can be an arousing emotion and clearly Sarah Burton was nudged by the ancestral bonds of infinity when she envisioned her latest masterpiece.
This time, she chose quality over quantity and limited her supply to 10 ornate pieces, which she can’t be blamed for, considering she just recently gave birth to twins.
Stella McCartney has always managed to elect a breathtakingly innovative approach when it comes to tackling existing mores in the current climate dominating the industry.
Clare Waight Keller really understands how to make a gal feel gleefully obliged to make the inevitable transition into womanhood.
The offerings by Manish Arora were inspired by his recent travels to the Burning Man Festival in Nevada, which explains why each piece was supported by an unquenchable halo of vibrancy and psychedelic infantry.
Tomas Maier implemented a charmingly weighty spectacle that solidified his trajectory premise for Bottega Veneta.
Tom Ford spared no expense when it came to delivering his symphonic reverie, which was appropriately set against the dramatic interiors of Lancaster House.
Erdem Moraliogu created a fantastically gothic fortress bursting with primly elegant pieces, perfectly constructed and energetically strewn to create a pulsating timeline.
Creative director Emma Hill utilized her literary prowess when it came to her prolific collection for Mulberry.